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“Where I was a flower of the mountain yes” by Philip Maltman
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“Where I was a flower of the mountain yes” by Philip Maltman
View in a room interior
“Where I was a flower of the mountain yes” by Philip Maltman
  • Type:  Original Art
  • Medium:  Paintings > Oil
  • Style:  Expressionistic
  • Subject:  Other
  • Year:  2022
  • Size:  76.0 x 155.0 x 4.0 cm
  • Ready to hang:  Yes
  • Frame:  No
  • Signed:  Yes, Front
  • Materials:  Oil and crayon on canvas
76.0 x 155.0 x 4.0 cm

Need to know

Philip Maltman paints abstract works that explore the 'littoral zone' i.e. the shoreline or area where the land meets a body of water.

Philip has won a major award from the London Group and has been shortlisted for the John Moores painting prize.

Philip's unique abstract works make him one to watch for the future.

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“Where I was a flower of the mountain yes”

||
By

Philip Maltman

Paintings76.0 x 155.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

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More Works by Philip Maltman
HMS Colossus
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Flowers of the Mountain 49
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A Field in England 210
Paintings - 42x30 cm
Philip Maltman
Philip Maltman is a Scottish-born artist who now lives and works from London. He works primarily with oil paintings, exploring the ‘littoral zone’, or the shoreline where land meets water. Philip examines the form and lines of this often chaotic region, and in doing so creates a new kind of landscape painting that focuses on transitions and the constant flux of everyday life. These are not typical nature paintings in that they convey a sense of chaos and unrest, using erratic brushstrokes, paint drips and text to achieve this unsettling yet exciting effect.
Stephen Beddoe

The insider Stephen Beddoe says:

Philip Maltman's paintings are incredibly accomplished, both technically and through their subject matter and composition. The artist appears to be influenced by the history of British culture. In particular, English pastoral painting of the Romantic period through to myth and modernism. The gestural strokes, use of iconography and text also tip a wink to the master, Cy Twombly.

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