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  • Type:  Original Art
  • Medium:  Paintings > Acrylic
  • Style:  Cubism
  • Subject:  Other
  • Year:  2022
  • Size:  70.0 x 100.0 x 2.0 cm
  • Ready to hang:  Yes
  • Frame:  No
  • Signed:  Yes, by the artist
  • Materials:  Acrylic painting on canvas
  • Shipping:  Ships from France
70.0 x 100.0 x 2.0 cm

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lumières d'automne

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By

Claire Biette

Paintings70.0 x 100.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships ready to hang?
Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$1,770.00
Original artworkOnly 1 available. Get it before it’s gone
Free & easy 14 days returns Learn More
Worldwide safe shipping Learn MoreShips from France by Tuesday, 10 October 2023

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Claire Biette

In figuration or abstraction, Claire Biette takes us into a universe freed from reality by a large bath of colors and light which leaves the imagination its share of dreams ...
A powerful art to share
Amazed by the power of expression of color, Claire Biette is very early for different pictorial techniques such as watercolor, pastel and sketch from living models.
For three years, she deepened her training at the Nantes School of Fine Arts. Through the Art Lumière association, Claire Biette has been teaching drawing and painting to children and adults since the early 2000s. Her personal work has been exposed throughout the Nantes region.
Personal themes at the heart of his work
Claire Biette's painting is nourished by her family, friendly and spiritual life. The themes are varied and affect all the areas that amaze it and give meaning to his life.
She begins with a sketch to identify her subject and find the harmony of the lines. Then comes the work of the material that animates the canvas and gives it movement. Then appear shade and light. Finally, she is looking for harmony between colors to find the light that will guide the spectator.

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