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      Original artwork:Only 1 available. Get it before it’s gone.


      Paintings61.0cm x 47.0cm x 1.0cm?
      Artwork size

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      This artwork is sold ready to hang. For additional information please see the artwork detail information.

      $ 1,050.00
      61.0cm x 47.0cm x 1.0cm
      • Type | Original Art
      • Medium | Paintings > Oil
      • Style | Figurative
      • Subject | Portraits
      • Year | 2020
      • Size | 61.0cm x 47.0cm x 1.0cm
      • Ready to hang | Yes
      • Frame | No
      • Signed | Yes, verso
      • Materials | oil on linen
      • Shipping | ships from United Kingdom by Thursday, 02 June 2022

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      We can arrange framing for you, that means your artwork will arrive ready to hang and can go straight on the wall.

      We offer black, white or walnut coloured wood-grain finish as default frames. Please see examples in our FAQs. If you would like a bespoke frame, including, but not limited to, a tray frame and gilded frame, find out more here.


      An installation service can be booked upon request. After purchase, our customer service team will be in contact with you via email (usually the same day as purchase) and this service can be requested then.

      Jim McLean

      Jim McLean's figurative art explores the emotional and psychological impact of being.
      He was six when first transfixed by art - Dali's Christ of St John Of The Cross. Today, his own powerful atmospheric paintings explore a similar psychological space where sensuality, figuration and the subconscious meet.
      Recent exhibitions include Figurative Art Now (Mall Galleries, London), ING Discerning Eye (London) and Safe House (Peckham Festival, London). He was shortlisted for the John Moores Prize exhibition (2021) and is a Sequested Prize finalist (2022).
      His self portrait The Artist And His Dog is now part of the acclaimed Ruth Borchard Next Generation Collection. McLean also recently graduated from the cutting edge Turps painting school run by artist Marcus Harvey.
      McLean's collectors have included musicians from Scottish rock giants Wet Wet Wet and Love And Money. His paintings and, most recent, collage work can be disarming. His gaze can seem uncomfortable. The humour is dry. He especially admires the work of David Lynch, whose disquieting, dreamlike movies hint that dark and mysterious currents are at work behind the scenes.
      Living and working in London, UK, McLean, who has an MA in English Lit is also the author of: How To Bring A Boyfriend Back From The Dead.

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