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Sir Peter Blake

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Blue Chip Artist
Sir Peter Blake famously co-designed the cover of the 8th album by The Beatles, 'Sgt. Pepper's Lonely Hearts Club Band' (1967).
Sir Peter's style and practice have evolved dramatically over several decades in tandem with cultural shifts of the time.
Sir Peter was one of the key members of the British Pop Art movement in the 1950s and 60s.

Sir Peter Blake CBE RDI RA (born 1932) was one of the key members of the British Pop Art movement in the 1950s and 60s. His celebrated oeuvre includes collages infused with images from popular culture, often merging ads, comic books and mundane mass-produced cultural phenomena, as well as his distinctly fantastical paintings. With a career spanning several decades, Sir Peter’s body of work underwent dramatic conceptual changes, shifting from Pop Art to Figurative and then, following a period of disillusionment with London life in the 70s, Ruralism.

The Education of Sir Peter Blake

After graduating from the Royal College of Art in 1956, Sir Peter received a Leverhulme scholarship which enabled him to travel through Europe for an extended period of time. During this time, his love affair with the ephemera of popular culture and zeitgeist icons was ignited. His later works moved away from celebrity culture and instead sought to ensure the continuation of classical English painting. ‘The Brotherhood of Ruralists’ took inspiration from Stanley Spencer, Thomas Hardy, the British countryside and the Pre-Raphaelites, as seen in ‘Well, this is grand!’ said Alice (1970).

Early Career

Before joining the Brotherhood, Sir Peter was involved in a number of collaborative exhibitions alongside David Hockney and R.B. Kitaj. Sir Peter won the John Moores Junior Award for Self Portrait with Badges in 1961, a picture which now features in Blake's retrospective exhibition at Tate Liverpool. This iconic self-portrait of a young and unassuming Blake, laden with American insignia as an ardent pledge of cultural allegiance, catapulted him to artistic stardom for its metaphoric mastery.

An Ever-evolving Style

The octogenarian is still commissioned to create iconic celebrity portraits and art from his studio in West London, such as what he did for The Beatles and The Who. His collections are on display at top galleries such as the Tate, The National Gallery, Paul Stolper and The Harley Gallery.

If you’d like to learn more about The Godfather of Pop Art’s deep love for circus, side-shows and the ephemera of popular culture, read our article on his series Side Show (2014-15).

Sir Peter Blake Artworks

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    Homage to Schwitters by Sir Peter Blake
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    Homage to Schwitters by Sir Peter Blake

    Homage to Schwitters

    Prints - 140x180 cm
    Who by Sir Peter Blake
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    Who by Sir Peter Blake

    Who

    Prints - 75x73 cm
    Sources of Pop Art I by Sir Peter Blake
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    Sources of Pop Art I by Sir Peter Blake

    Sources of Pop Art I

    Prints - 48x47 cm
    Sources Of Pop Art VI by Sir Peter Blake
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    Sources Of Pop Art VI by Sir Peter Blake

    Sources Of Pop Art VI

    Prints - 66x69 cm
    Sources of Pop Art V by Sir Peter Blake
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    Sources of Pop Art V by Sir Peter Blake

    Sources of Pop Art V

    Prints - 66x69 cm
    Sources of Pop Art IV by Sir Peter Blake
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    Sources of Pop Art IV by Sir Peter Blake

    Sources of Pop Art IV

    Prints - 66x69 cm
    Sources of Pop Art III by Sir Peter Blake
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    Sources of Pop Art III by Sir Peter Blake

    Sources of Pop Art III

    Prints - 66x69 cm
    Paul Weller's Stanley Road by Sir Peter Blake
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    Paul Weller's Stanley Road by Sir Peter Blake
    Emily by Sir Peter Blake
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    Emily by Sir Peter Blake

    Emily

    Prints - 28x21 cm
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    Max by Sir Peter Blake

    Max

    Prints - 28x21 cm
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    Doris by Sir Peter Blake

    Doris

    Prints - 28x21 cm
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    Percy by Sir Peter Blake

    Percy

    Prints - 28x21 cm
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    Ron by Sir Peter Blake

    Ron

    Prints - 28x21 cm
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    Dan by Sir Peter Blake

    Dan

    Prints - 28x21 cm
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    Gloria by Sir Peter Blake

    Gloria

    Prints - 28x21 cm
    Liverpool Dazzle Ferry, 2015 - Courtesy of John Hickey-Fry

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