EVIAL develops a contemporary figurative painting traversed by presence, silence, and encounter.
Its figures do not illustrate narratives. They appear as suspended forms, fragile presences traversed by an inner tension.
The Moai remains the anchor point of this research. A universal and timeless form, it acts as an architecture of presence through which different human states appear.
Other presences may emerge alongside it. Human, animal, or indeterminate, they embody less subjects than forms of otherness, opening the possibility of encounter.
EVIAL does not seek to represent the human but its emergence.
His painting does not seek to explain the human being. It seeks to restore a place for it.
This is not a painting of denunciation.
It is a painting of rehabilitation of presence and encounter.