We ship to the UK, USA, all EU Countries & EEC Countries, and many more. If your country is not available, please contact us and we'll do our best to deliver to your door. International orders may incur customs duties (intra EU orders excluded) which are not included in the shipping costs. Rise Art will make every attempt to minimise customs charges in accordance with international shipping regulations.
Shipping prices depend on destination, size and weight and will be added at checkout. Please contact us with any shipping queries and we'd be delighted to help.
It's Ok if you change your mind. All artwork ordered comes inclusive of our no-hassle 14 days free return policy, no questions asked (full artwork refund or exchange). Custom framed artwork is excluded due to the bespoke nature of the framing process. Please see more about our returns and cancellations policy here.
We can arrange framing for you, that means your artwork will arrive ready to hang and can go straight on the wall.
We offer black, white or walnut coloured wood-grain finish as default frames. Please see examples in our FAQs. If you would like a bespoke frame, including, but not limited to, a tray frame and gilded frame, find out more here.
An installation service can be book upon request. After purchase, our customer service team will be in contact with you via email (usually the same day as purchase) and this service can be requested then.
Australian-born artist Matt Jukes creates abstract monoprints of forgotten landscapes and misremembered places. Entwined with the idea of memory, Matt’s artworks expose the layering of his process-led style. The relationship between planes of land and sky and the depth of distance make for minimalistic pieces of art that capture the haziness of memories. Matt’s work is both meditative and nostalgic, he reimagines landscapes through an emotional response, and transforms them into something far… off yet evocative and familiar.
Matt Jukes’ Process
The arrangement of colour and colour theory is integral to Matt’s work. For Matt, colour is a means of expressing emotion, so the choice of colour is crucial to his process. Starting each piece with a search for colour, Matt mixes inks together, and in doing so new emotions arise. Due to the scale of his work, Matt’s monoprints are often confused for screenprints. Working on a 200 year old flatbed lithographic press, Matt repeats his process to build up layer upon layer and creates textures that result in prints that resemble paintings.
Matt considers music to be incredibly important to his process, contributing to the emotive element of his art. Throughout the years spent developing his style and visual language into landscapes, he started off painting sound waves. Visually, it is no surprise that Rothko is a huge influence on Matt. My Bloody Valentine has been particularly instrumental in the refinement of Matt’s style through its ability to appear so simple but captivate the viewer through its detail and depth.