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Shards of colour II by Tim Fowler
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Shards of colour II by Tim Fowler
View in a room interior
Shards of colour II by Tim Fowler
  • Type:  Original Art
  • Medium:  Paintings
  • Style:  Abstract
  • Subject:  Architecture
  • Year:  2013
  • Size:  101.0 x 101.0 cm
  • Ready to hang:  Yes
  • Frame:  No
  • Signed:  Yes
101.0 x 101.0 cm

Need to know

Tim Fowler’s paintings breath new life into the outdated features of portraiture.

Tim is fascinated with notions of fatherhood and modern day masculinity.

Pink is the most dominant colour in all Tim’s paintings.

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Shards of colour II

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By

Tim Fowler

Paintings101.0 x 101.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

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Trusted by leading brands including Soho Home
Tim Fowler
British artist Tim Fowler uses bright colours and broad strokes to create abstract mixed media paintings. Depicting scenes of modern cityscapes and distorted portraits, Tim’s distinctive use of bright and saturated colours makes for paintings that have a Pop Art tone to them. Tim works across acrylic, graffiti ink and spray paint to respond to fairly traditional subjects, and in doing so rejects the outdated conventions of these popular genres. The colour pink ties so much of Tim’s work together. Whether used to capture light, create movement or instil emotion, the dominance of pink throughout his practice gives a warmth to each of his paintings.

Tim Fowler’s Education and Development

After graduating from Sheffield Hallam University with a degree in Contemporary Fine Art, Tim started painting architecture and responding to urban scenes. Over the years, Tim turned to portraiture, however he still uses an architectural approach when depicting figures. The angular appearance and deconstructed forms of Tim’s figures resembles the graphic aesthetic of street art.

Recent Exhibition

Tim’s latest exhibition, ALPHA male, showcased a new collection of work centred around family, fatherhood and modern day masculinity. The typically large scale paintings depicted abstracted scenes of family life interspersed with intimate scenes of fatherhood. Playing on the rhetoric of toxic masculinity, Tim uses the word ‘alpha’ to react against the outdated ideas of a man’s role in the family, and in challenging those attitudes, he created new impressions of what it means to be a father.
Our insider says:

I particularly enjoy Tim Fowler's architectural works where, through his bold use of colour and energetic paintwork, the buildings come alive and demand our attention. Tim elevates these structures from their everyday status, where we are ignorant of their beauty, to objects that contain power and importance. The artist has applied similar techniques to his portrait work; he leaves the viewer wondering about the story behind these anonymous individuals.

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