Jean-Christophe was passionate about painting and drawing around the age of 25. After having practiced the painting and drawing for a few years in self-taught, he joined the Fine Arts workshop in the city of Paris under the teaching of Véronique Masurel. He then studied and practiced passionately for more than ten years drawing and painting from classic themes such as the living model, the portrait, the still life and the copy of works. He then gradually detached from the subject, looking for a freer expression. Inten-Christophe uses painting as a language, beyond words. He paints a vision of the world, detached from any figurative subject, but very inspired by what surrounds him. Each painting is a unique experience, an oversight, the act of painting is a meditation, an attempt to keep a deeper image of the present moment and soften the course of time. The color is the basis of its work . It develops series from different themes & nbsp;: chromatic range, landscape images, macroscopic views of objects, subjects from nature. He built the table of sessions in sessions, without knowing in advance what it will become. The format is a determining element in its construction. His painting is very gesture. He gradually immerses himself in the table, and travels from the inside, combining various plastic elements to make it his own language. While looking for a unity in all of its composition, it combines color relationships, forms of forms and the dynamics of the lines. The spectator's gaze thus travels the painting according to the variations and its own sensitivity, each having His own reading of the picture carried by his imagination.
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