
My work examines the shifting relationship between the natural world and the built environment through the creation of invented spatial narratives. Working across painting, drawing, and site-specific murals, I utilize tropes from art history, science fiction, and the everyday to construct "non-places" that feel simultaneously nostalgic and futuristic.
Stylistically I am interested in hyper-faux-naturalism—a version of reality heightened by digital intervention and the camera lens. My process is a meticulous physical translation of digital collage into traditional media. I utilize hand-cut stencils, airbrushing, and traditional brushwork to create a tension between the "digitally flat" surface of acrylics and the evident "hand" of the artist. This technical friction underscores the overarching theme of my work: the artifice inherent in our contemporary perception of nature.
Whether depicting grand, desolate landscapes or intricate still lifes set against hazy cityscapes, my work addresses the sublime in an age of climate crisis and urban expansion. By isolating objects—such as flora positioned against construction sites—I invite the viewer to reflect on the ecological impact of humanity and the resilience of the organic within our increasingly structured world.