We ship to the UK, USA, all EU Countries & EEC Countries, and many more. If your country is not available, please contact us and we'll do our best to deliver to your door. International orders may incur customs duties (intra EU orders excluded) which are not included in the shipping costs. Rise Art will make every attempt to minimise customs charges in accordance with international shipping regulations.
Shipping prices depend on destination, size and weight and will be added at checkout. Please contact us with any shipping queries and we'd be delighted to help.
It's Ok if you change your mind. All artwork ordered comes inclusive of our no-hassle 14 days free return policy, no questions asked (full artwork refund or exchange). Custom framed artwork is excluded due to the bespoke nature of the framing process. Please see more about our returns and cancellations policy here.
We can arrange framing for you, that means your artwork will arrive ready to hang and can go straight on the wall.
We offer black, white or walnut coloured wood-grain finish as default frames. Please see examples in our FAQs. If you would like a bespoke frame, including, but not limited to, a tray frame and gilded frame, find out more here.
An installation service can be booked upon request. After purchase, our customer service team will be in contact with you via email (usually the same day as purchase) and this service can be requested then.
Marleen Pauwels was born in Dendermonde, Belgium in 1959. She studied drawing and painting at the “Constantin Meunier” Academy in Brussels, and etching at the Royal Academy of Fine Arts in Aalst and Dendermonde. In 2001, she settled in Spain where she continues her artwork today. Over the years her style has evolved using various media including etching, drawing, collage and oil paint. Currently, she has created my own distinctive form of expression with the use of mixed media on… panel. The human figure is a constant presence in her work, emerging from her fascination with the fragility of the human condition. The ‘wall’ often figures as the background of her images. She creates these walls using different layers of newsprint, sand and oil paint, always leaving carefully chosen text layers visible.