Red Circles

Edition of 12552.5cm x 52.5cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Add a Frame
  • No Frame
  • White Frame (+ $175.00)
  • Black Frame (+ $175.00)
  • Walnut Frame (+ $175.00)
$ 1,395.00
52.5cm x 52.5cm
  • Type | Limited Edition
  • Medium | Prints > Screenprint
  • Style | Abstract
  • Subject | Abstract
  • Year | 2000
  • Edition | of 125
  • Size | 52.5cm x 52.5cm
  • Ready to hang | No
  • Frame | No
  • Signed | Yes
  • Materials | Silkscreen Print
  • Shipping | ships from United Kingdom by Wednesday, 02 December 2020

Worldwide Shipping

We ship to the UK, USA, all EU Countries & EEC Countries, and many more. If your country is not available, please contact us and we'll do our best to deliver to your door. International orders may incur customs duties (intra EU orders excluded) which are not included in the shipping costs. Rise Art will make every attempt to minimise customs charges in accordance with international shipping regulations.

Shipping Charges

Shipping prices depend on destination, size and weight and will be added at checkout. Please contact us with any shipping queries and we'd be delighted to help.

Contact Us

Chat from any page, Email or call us on +44 (0) 20 8629 1525 and speak with one of our art advisors.

Returns Policy

It's Ok if you change your mind. All artwork ordered comes inclusive of our no-hassle 14 days free return policy, no questions asked (full artwork refund or exchange). Custom framed artwork is excluded due to the bespoke nature of the framing process. Please see more about our returns and cancellations policy here.

Secure Payments

We don't ever store any financial information on our servers. We are PCI compliant and work with one of the UKs largest banks to process your order. We are also GoDaddy Verified & Secure. All sensitive customer information is encrypted using secure socket layer technology (SSL). For further information on how we protect our customers information, see our Privacy Policy.

Framing

We can arrange framing for you, that means your artwork will arrive ready to hang and can go straight on the wall.

We offer black, white or walnut coloured wood-grain finish as default frames. Please see examples in our FAQs. If you would like a bespoke frame, including, but not limited to, a tray frame and gilded frame, find out more here.

Installation

An installation service can be booked upon request. After purchase, our customer service team will be in contact with you via email (usually the same day as purchase) and this service can be requested then.

Sandra Blow

The late British artist Sandra Betty Blow (1925-2006) came to prominence in the 1950s as a pioneer of the British Abstract movement. Sandra enjoyed a prolific career spanning several decades, producing unique and emotive works incorporating rhythmic and constructed forms with a liberal use of colour.

Education and Early Career

Sandra was born in London but spent most of her childhood recovering from Scarlet Fever at her grandparents’ fruit farm in Kent. It was here that she discovered her
passion for painting. Sandra enrolled at Saint Martin's School of Art between 1941-1946, and then shortly after the Second World War, the Royal Academy Schools, 1946-1947. The artist later studied at the Accademia di Belle Arti in Rome where she became acquainted with Italian visual artist Alberto Burri, a soon-to-be partner and lifelong influence on her style and approach. Upon her return to London in 1950, despite her youth, Blow began to assert herself in the artsphere and, before long, was spearheading the nation’s Abstract art movement.

Sandra Blow’s Style and Approach

Sandra introduced a new and expressive abstraction to the British arts scene and was one of the earliest and most original female artists challenging the "'macho' cult" surrounding abstract art in the 50s and 60s. Her informality and experimental use of cheap, discarded materials such as sawdust, sackcloth and plaster in collage and on canvas was met with intrigue and adoration. The painter’s original approach was rooted in rustic and visceral earthy textures. Her later works were stylised with a 60s optimism and panache, exchanging pastoral palettes for bright, bold and contrasting colours such as in abstract silkscreen print Interaction, (2000).

Exhibitions and Collections

Sandra’s relentless approach to printmaking and painting has been celebrated worldwide. Throughout the 1950s and early 1960s, she regularly exhibited with Gimpel Fils, a leading London gallery at the time. Since, Sandra’s oeuvre has been displayed and enjoyed internationally at the Museum of Modern Art, New York, the Venice Biennale, Italy, and more. Tate St Ives and the Royal Academy of Arts in London have held retrospectives of Sandra’s work, now treasured additions to the Arts Council Collection and Tate collection.