Tick It, Tock it, Turn it True.

Edition of 20053.0cm x 46.0cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Artwork not on sale, please enquire for availability
53.0cm x 46.0cm
  • Type | Limited Edition
  • Medium | Prints
  • Style | Street Art
  • Subject | Abstract
  • Year | 1976
  • Edition | of 200
  • Size | 53.0cm x 46.0cm
  • Ready to hang | Yes
  • Frame | No
  • Signed | Yes
  • Materials | Colour etching and aquatint

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Returns Policy

It's Ok if you change your mind. All artwork ordered comes inclusive of our no-hassle 14 days free return policy, no questions asked (full artwork refund or exchange). Custom framed artwork is excluded due to the bespoke nature of the framing process. Please see more about our returns and cancellations policy here.

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Framing

We can arrange framing for you, that means your artwork will arrive ready to hang and can go straight on the wall.

We offer black, white or walnut coloured wood-grain finish as default frames. Please see examples in our FAQs. If you would like a bespoke frame, including, but not limited to, a tray frame and gilded frame, find out more here.

Installation

An installation service can be book upon request. After purchase, our customer service team will be in contact with you via email (usually the same day as purchase) and this service can be requested then.

David Hockney

Hockney is one of the great British artists, and we're delighted to offer a series of fascinating etchings from 1976.

Hockney was inspired by the Wallace Stevens poem The Man with the Blue Guitar. He read the poem in the summer of 1976 and made a series of drawings which were to lead to the etchings. The poem in turn was inspired by Picasso's Blue Period painting, The Old Guitarist. So the work is filled with references to Picasso.

The series displays an array of imagery and styles,
typical of Hockney's technical virtuosity. He made a total of 20 etchings. Each was printed in a selection of five colours using the Crommelynck technique. They were originally published in limited portfolio editions by Petersburg Press in October 1977.