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Urban Photography For Sale

Explore the contemporary urban photography for sale in our online gallery. Our extensive collection of urban photography has everything from architectural photography to landscape photography to documentary photography. Shop urban photography today to find the perfect artwork for your home or office.

Whether you’re interested in more abstract forms of urban photography or prefer the geometric patterns explored in photographs which focus upon architecture, we are certain that you will find something for you.

Nick Miners is an urban photographer with a penchant for the latter. He takes what many critics deem ‘ugly’ architecture and uses it to produce beautiful imagery. The extreme levels of contrast within his images render them almost hypnotic in their representation of geometric patterns.

Meanwhile, Tomas Cambas produces urban images that hint to traditional documentary photography. His abstract photographs depict fresh and unexpected perspectives on urban photography. The unique work of this Buenos Aires-based artist is certainly not to be missed.

History of Urban Photography

Urban photography is as old as the practice of photography itself which began in the mid-1800s and regularly used the street as its subject. Often used interchangeably with the term ‘street photography’, the neologism ‘urban photography’, which was coined only within the last decade, stands for a practice which focuses significantly on capturing the way in which city-dwellers work, live and move within the urban setting and its surrounding architecture.

Urban photography takes its roots in the practice of traditional street photography which began to split into a distinct dichotomy during the golden era of photography. While some photographers focused primarily upon capturing images of people, others moved towards landscapes in which human subjects were practically absent. There grew a distinct line between new and traditional street photography.

The new form moved towards capturing human subjects in various situations and neglected previously significant aspects such as architectural details and the overall atmosphere. Meanwhile, traditional street photography evolved into what is known as urban photography today and seeks to encapsulate not only people but their surroundings, and importantly the relationship between the two. It offers a commentary upon contemporary urban life, as well as telling stories and examining people and the ways in which they are both connected to and disconnected from their environments. Life and culture may be constantly evolving, as is the practice of photography, but one thing which remains the same is the powerful interaction between humans and the environments we inhabit – this is what urban photography seeks to encapsulate.

Styles and Techniques of Urban Photography

One technique which remains hugely popular in the genre, despite photographers no longer being constrained to its use due to technological limitations, is the deliberate use of black and white colouring in urban photography. The use of black and white in photography makes for a significant visual and emotional effect and many photographers describe monochromatic imagery as offering a greater connection to the soul, while the use of colour is thought of as merely visually pleasing to the eye. In urban photography, the use of black and white lends more impact, mood and atmosphere to the image. While some photographers shoot in black and white film, many opt to shoot in colour and convert the image digitally to grayscale post-production using editing software such as Photoshop.

Much has changed since the invention of black and white photography. Technological advancements mean that images can be hugely modified allowing for significant flexibility in photo editing and the possibility of extremely abstract images.

The modern city offers almost limitless subjects and skylines to photograph. The grey concrete fields, towering skyscrapers and urban decay offer a great deal of photographic potential due to their bold, geometric structures, which is harnessed by many urban photographers. Although cityscapes offer impressive, far-off vantage points which make for striking images, many urban photographers emphasise the importance of focusing upon the smaller scenes and simply waiting for the right moment to strike in which the relationship between subject and surrounding is perfectly depicted.

Notable Urban Photographers

Among the most seminal artists in the genre are its forefathers Eugène Atget and Henri Cartier-Bresson, both of whom played a significant role in the medium’s history. Atget preferred to be classed as an ‘author-producer’, rather than a photographer and he began producing images of a vanishing metropolis as far back as 1898, when his 30-year-long series entitled Vieux Paris depicted architecture and urban views in their final days before the domination of modernity and urbanisation.

Cartier-Bresson is viewed not only as significant in the urban photography movement, but is considered the father of the movement at large. He was one of the first photographers to start using the 35mm film format which is still well loved today by amateur and professional photographers alike and his eye for details and composition remains undeniably relevant and without compromise.

Find out more in our Guide To Photography.

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    Woman on an armchair IV by Olive Santaoloria
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    Woman on an armchair IV by Olive Santaoloria
    Woman on an armchair IV
    Photography - 80x60 cm
    HUMAN EXPOSURE III by Sven Pfrommer
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    HUMAN EXPOSURE III by Sven Pfrommer
    HUMAN EXPOSURE III
    Photography - 70x140 cm
    URBAN BLUR VIII  by Sven Pfrommer
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    URBAN BLUR VIII  by Sven Pfrommer
    URBAN BLUR VIII
    Photography - 70x140 cm
    HUMAN SENSOR VII by Sven Pfrommer
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    HUMAN SENSOR VII by Sven Pfrommer
    HUMAN SENSOR VII
    Photography - 70x140 cm
    No News Today Yellow/Black  by Piers Bourke
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    No News Today Yellow/Black  by Piers Bourke
    No News Today Yellow/Black
    Photography - 90x70 cmRent for $105 /mo
    URBN CROWD I by Sven Pfrommer
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    URBN CROWD I by Sven Pfrommer
    URBN CROWD I
    Photography - 60x60 cm
    Mama's Façade by Rita Minichiello
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    Mama's Façade by Rita Minichiello
    Mama's Façade
    Photography - 74x51 cm
    URBAN MOVER V by Sven Pfrommer
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    URBAN MOVER V by Sven Pfrommer
    URBAN MOVER V
    Photography - 90x120 cm
    Palm Tree Entrance by Rita Minichiello
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    Palm Tree Entrance by Rita Minichiello
    Palm Tree Entrance
    Photography - 51x36 cm
    Just Kicking Around this Town by Fatima Mian
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    Just Kicking Around this Town by Fatima Mian
    Just Kicking Around this Town
    Photography - 100x150 cmRent for $110 /mo
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    URBAN MOVER VII  by Sven Pfrommer
    URBAN MOVER VII
    Photography - 70x140 cm
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    HUMAN CROWD IX by Sven Pfrommer
    HUMAN CROWD IX
    Photography - 120x120 cm
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    AIRPORT XL by Sven Pfrommer
    AIRPORT XL
    Photography - 70x140 cm
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    URBN CROWD III  by Sven Pfrommer
    URBN CROWD III
    Photography - 60x60 cm
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    PENANG BLUR II  by Sven Pfrommer
    PENANG BLUR II
    Photography - 70x140 cm
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    HUMAN PROXIMITY XI  by Sven Pfrommer
    HUMAN PROXIMITY XI
    Photography - 100x100 cm
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    The door by Lise Hébuterne
    The door
    Photography - 60x40 cm
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    The wall #13 mortification by Luca Izzo
    The wall #13 mortification
    Photography - 115x90 cm
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    MOVE ON XLV  by Sven Pfrommer
    MOVE ON XLV
    Photography - 100x100 cm
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    MONK I  by Sven Pfrommer
    MONK I
    Photography - 121x61 cm
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    Cake Betty by Rita Minichiello
    Cake Betty
    Photography - 51x36 cm
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    HUMAN CROWD XIII by Sven Pfrommer
    HUMAN CROWD XIII
    Photography - 120x120 cm
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    At the Tailors by Fatima Mian
    At the Tailors
    Photography - 100x150 cmRent for $110 /mo
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    HUMAN HUB VII  by Sven Pfrommer
    HUMAN HUB VII
    Photography - 100x100 cm
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    URBN CROWD II  by Sven Pfrommer
    URBN CROWD II
    Photography - 60x60 cm
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    BURMA BLUR XLIII  by Sven Pfrommer
    BURMA BLUR XLIII
    Photography - 70x140 cm
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    SAIGON BLUR XCI by Sven Pfrommer
    SAIGON BLUR XCI
    Photography - 100x100 cm
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    The wall #7 - Sacrifice by Luca Izzo
    The wall #7 - Sacrifice
    Photography - 60x40 cm
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    HUMAN EXPOSURE II by Sven Pfrommer
    HUMAN EXPOSURE II
    Photography - 70x140 cm
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