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Elysabeth Folliet

Professional visual artist, painting was for her a meeting with the material where the language & nbsp; Thus these words & nbsp; by Bram van Velde express with accuracy & nbsp; his relationship to painting: & nbsp; "paint is to look for the face of what has no face" each of his paintings is an appearance, which often testifies Also disappearance through successive layers of paintings forgotten in a "below" ... Faces, characters or landscapes appear in a work of superimposed layers and it is by removing the material that the "appearance" is born . In short, it is by disappearance that the appearance happens. This technique is its own, is a work on fragility & nbsp ;: "& nbsp; I like to remove the material to find the lower layers and the play of colors. & nbsp; I work on very thin layers of paintings and not on the mass. At each stage I must consent to let go of what has arisen so that another form can be born, appear and disappear in turn, being both originally and detachment from the previous image. & nbsp; »Today different materials such as paper and wire are used in his artistic approach. Instructed by Giacometti for the characters, Gerhard Richter for color work, Klimt for gold and poetry ... and So many others!

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