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Working primarily with calligraphy inks, graphite and liquids, such as tea, Griffiths’ fascination with drawing focuses on the creation and manipulation of the drawn line. Images explore human, geometric and floral forms, in a combination of both literal and abstract translation and in response to images and situations encountered in daily life. Images are recorded in a dreamlike sense onto the page where physical boundaries are unimportant. His work creates a journey of escapism which focuses on scenes of awe and wonder, projecting a sense of abandonment and inviting the viewer to share and explore this inner realm.
Since establishing his own studio in 2010, Carne has exhibited in the UK and overseas with work shown at the London Original Print Fair, the Royal Academy, Stroke Art Fair, Affordable Art Fair, the London Art Fair and with solo Exhibitions in Brighton, Hong Kong, Milan and an upcoming show in Hamburg. Carne's illustration work has seen him collaborate with the British photographer Rankin for a 6 page feature in Hunger magazine as well as featuring in publications worldwide, notably for several covers of the New York Observer, English Heritage magazine and for Brand projects including work for Microsoft, Centurion, Derwent, Peroni, Lakes Distillery and Ibis Hotels.
Since establishing his own studio in 2010, Carne has exhibited in the UK and overseas with work shown at the London Original Print Fair, the Royal Academy, Stroke Art Fair, Affordable Art Fair, the London Art Fair and with solo Exhibitions in Brighton, Hong Kong, Milan and an upcoming show in Hamburg. Carne's illustration work has seen him collaborate with the British photographer Rankin for a 6 page feature in Hunger magazine as well as featuring in publications worldwide, notably for several covers of the New York Observer, English Heritage magazine and for Brand projects including work for Microsoft, Centurion, Derwent, Peroni, Lakes Distillery and Ibis Hotels.
