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Visually Similar Artworks
  • Type:  Original Art
  • Medium:  Photography
  • Style:  Abstract
  • Subject:  Other
  • Year:  2019
  • Size:  108.0 x 78.0 cm
  • Ready to hang:  Yes
  • Frame:  Yes, framed by the seller
  • Signed:  No
  • Materials:  Photography on dibond
  • Shipping:  Ships from France
108.0 x 78.0 cm

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Series from the color dark room VIII

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By

Juliana Borinski

Photography108.0 x 78.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Framed and ready to hang?
Artwork ships framed

This artwork is sold framed. For additional information on the frame please see the artwork detail information.

$9,815.00
Original artworkOnly 1 available. Get it before it’s gone
Free & easy 14 days returns Learn More
Worldwide safe shipping Learn MoreShips from France by Tuesday, 19 December 2023

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Juliana Borinski

Juliana Borinski is a German-Brazilian artist based in Paris, in France. Her art is exposed internationally in contemporary art centers and museums since 2006. Working with fixed images and often without camera (photography) and in motion (film, installation, video), she experiences the conjunction between iconography and iconoclasm.
Juliana's works explore various media issues through an analysis of their primary resources: chemistry, matter and devices. When she works on photography or cinema, Juliana Borinski almost never uses a camera or camera. It creates images, generally abstract, directly using photosensitive paper or film in order to explore their clean aesthetic and technical capacities. What should only be a receptacle of the image, its support, becomes the very material of his work.
Juliana Borinski is looking for error, lack, chance. It is voluntarily at the margin of the systems it exploits, the visual media, taking care to avoid the image in the usual sense and new technologies, to favor "almost nothing". This unconventional practice is also found in the fact that each piece is unique, at a time when copying an element requires only one click, and while its work tools are photography and cinema, hero of technical reproducibility analyzed by Walter Benjamin.

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