Mimi the Clown

& nbsp; The singular and committed practice of Mimi The Clown is part of a sociological, anthropological and social approach. The hypocrisy and demagoguery of political classes, ignorance of misery, cynicism of leaders, religions, the absurdity of a world that defeats instead of building but also the creation and the positive energies which are the Fruit and who oppose it, the arts, music, all these themes are treated by the artist as so many neuralgic points defining the failure of a world in front of which we must remain standing, continue to think, learn to react. & nbsp; & nbsp; faced with this ambient "sadness" as defined by the artist, Mimi the clown brandishes the "spectacular graffiti", a practice mixing humor, circus and social commitment universe and of which he is the custodian. Its incisive and provocative stencils line the walls of our streets. Between political messages and apocalyptic visions, the artist engages in a harsh criticism of the consumer society and the show. & Nbsp; of the artist would come to cover, he plays the superimposed dimension of graphics and meanings. & nbsp; & nbsp; of his palimpsest collages with neo punk aesthetics, the artist often represents himself as an alter ego, preacher, carrying a anger and social demand. The red nose then becomes the leitmotif of a thought which defends freedom and humor, which use public space as a democratic place of expression, and which advocates language as necessary way of reacting to the discomfort of A world that would like to stifle poetry and creation.