From painting to sculpture, Alain Mandon seeks to bring the colors, contrasts, three -dimensional effects. The volumes are also not immune to work on the body, especially that of women. An artist looking for the material Born in 1967 in Limoges, Alain Mandon, represented as a self -taught artist, always attracted by abstract creation. It was during a Royan holidays that the idea of diverting the resin, used for surfboards, came to him, in order to freeze the liveliness of the chosen pigments on his paintings. The fluid aspect which emerges from the latter, which contrasts violently with the black natural sand, allows it the journey above a plow of molten lava. From matter is born the woman His sculptures sublimate the female body by making it timeless thanks to molten alloys which he projects so as to make the curves and the lines of an even lighter and graceful woman's chest. The cutting of its sculptures and their way of being cast gives them an ancient appearance rugged by time while retaining their beauty. Alain Mandon is played out of textures by mixing atypical materials such as resin, natural sand, or tin for a rendering mixing movement, matt and shiny.