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Fireflies by Emmanuelle Mason
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Fireflies by Emmanuelle Mason
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Fireflies by Emmanuelle Mason
  • Type:  Original Art
  • Medium:  Drawings > Crayon
  • Style:  Surrealist
  • Subject:  Nature
  • Year:  2025
  • Size:  14.0 x 40.0 x 3.0 cm
  • Ready to hang:  Yes
  • Frame:  No
  • Signed:  Yes, on the back
  • Materials:  colored pencil on acrylic on wood
  • Shipping:  Ships from France
14.0 x 40.0 x 3.0 cm

Need to know

Clare Halifax is inspired by textile designer William Morris.

Clare focuses on architecture to reflect society’s evolution.

Clare created a limited edition screenprint of London’s iconic landmarks, including the V&A Museum.

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Fireflies

|
By

Emmanuelle Mason

Drawings14.0 x 40.0 cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships ready to hang?
Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$785.00
Original artworkOnly 1 available. Get it before it’s gone
Free & easy 14 days returns Learn More
Worldwide safe shipping Learn MoreShips from France by Thursday 05 June 2025
Trusted by leading brands including Soho Home
More Works by Emmanuelle Mason
Les combatantes
Drawings - 90x110 cm
Komorebi#1
Drawings - 80x110 cm
Syria #6
Prints - 110x80 cm
La Culotte
Drawings - 40x60 cm
Emmanuelle Mason
I mainly present my graphic work on Kazoart. Indeed, I never stop questioning the drawing, in a way where paper becomes a body, a territory, a "environment". Sometimes it is the paper itself that becomes drawing, while I cut it, burns it.

I present here different series:

The lace series (in progress)
The series of erotic drawings ("cut" and "burn") (in progress)
The series of disasters (Syria mainly)
The Dead Snetting Series
As well as some out -of -series works.

In these series, there is always an ambiguity, a look that is both fascinated and insurgent focused on a world that I struggle to bear. I point to, from the end of my pen, sometimes the unspeakable, sometimes the micro-drama, sometimes the disease or the romantic state. My subjects are not always easy, sometimes terrible, but always treated with delicacy, the virtuosity of the bill coming to "trap" the gaze that usually turns away. I try to replay this question of the sublime: which is beautiful and scary at the same time. Even when my work is tender, there is a cut, a burn, which tries to take care of the more ambiguous tone of the subject.
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