7 Of Tate’s Most Controversial Christmas Decorations
This Christmas, Tate Britain is marooned! Artist Anne Hardy has dressed the gallery with tangled lights, torn banners, ice and mud. Tate has a history of weird and wonderful Christmas decorations. Each year, the London gallery invites an artist to create a winter installation. From an upside-down tree to giant slugs, here are 7 of Tate’s most controversial Christmas decorations.
Michael Landy & the waste of Christmas (1997)
In 1997, Michael Landy installed a skip filled with empty bottles, drink cans, torn wrapping paper, broken decorations, the packaging from toys and dead Christmas trees. He focused on the waste of Christmas in stark fashion.
Richard Wilson puts Christmas in storage (1998)
1998 saw Richard Wilson construct an artificial tree from found industrial objects. It was like Christmas in a storage unit. Used shelving units were decorated with bare electric bulbs housed in wire cages.
Sarah Lucas brings baby angels to Tate (2006)
In 2006, Sarah Lucas decorated a 20ft fir tree with baby angels and fairies made from wire and stretched tights. This chorus of winged infants were positioned on the tree as if descended from above. Referring to classical figures such as Cupid, Eros and Venus, Lucas’ decorations were a playful comment on the erotic depictions of these mythical figures in art.
Giorgio Sadotti cancels Christmas (2010)
In 2010, conceptual artist Giorgio Sadotti installed an undecorated tree at Tate. At the bottom of the naked tree rested a coiled bullwhip, waiting to be used. Sadotti is known for art that ‘celebrates the power of the nothing’. He explained: “For me the challenge was to present a tree that was naturally effortless. A tree that managed to maintain its dignity and timeless grace. A tree that remained sublime…A tree as a tree as art.”
Shirazeh Houshiary’s topsy-turvy tree (2016)
In 2016, Iranian installation artist Shirazeh Houshiary literally turned tradition on its head with her upside-down tree. Suspended by its trunk, the tree hovered above the main entrance’s spiral staircase. Its branches were left unadorned, but its roots were accentuated with gold leaf. Houshiary wanted people to “recognise the roots are the source of its continued stability, nourishment and longevity”.
Monster Chetwynd slimes the gallery with giant slugs (2018)
2018 saw anarchic artist Monster Chetwynd install two giant slugs on the steps of Tate Britain. Lighting up the gallery with their glowing slime trails, the artist wanted to spark conversation about our unsustainable use of energy. Measuring over 10 metres long, each slug sculpture was made from compostable materials, including wood, wicker, hessian and felt. They were recycled.
Anne Hardy turns Tate into a marooned temple
This year, Anne Hardy has turned Tate’s grand entrance into a marooned temple. Sculptural objects cascade down the steps, surrounded by an atmospheric soundscape of rain, thunder, birds and insects. It’s both pre-historic and appropriately apocalyptic, reflecting on rising tides and climate change. You can see her commission until 26 January 2020 at Tate Britain.
Ruth Millington is an art critic, writer and blogger