Vernon Semper Viret

Sculpture75.5cm x 70.8cm x 1.8cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

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Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the product information below

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  • Type | Original Art
  • Medium | Sculpture
  • Style | Impressionistic
  • Subject | Landscapes
  • Year | 2014
  • Size | 75.5cm x 70.8cm x 1.8cm
  • Ready to hang | Yes
  • Frame | No
  • Signed | Yes, on verso
  • Materials | Mirror & candle smoke
  • Shipping | ships from United Kingdom by Wednesday, 27 November 2019

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Returns Policy

It's Ok if you change your mind. All artwork ordered comes inclusive of our no-hassle 14 days free return policy, no questions asked (full artwork refund or exchange). Custom framed artwork is excluded due to the bespoke nature of the framing process. Please see more about our returns and cancellations policy here.

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We can arrange framing for you, that means your artwork will arrive ready to hang and can go straight on the wall.

We offer black, white or walnut coloured wood-grain finish as default frames. Please see examples in our FAQs. If you would like a bespoke frame, including, but not limited to, a tray frame and gilded frame, find out more here.


An installation service can be book upon request. After purchase, our customer service team will be in contact with you via email (usually the same day as purchase) and this service can be requested then.

Bella Vernon

Bella Vernon explores the potential of reclaimed objects, embedding them with imagery inspired by the landscapes around her, the London canals, cityscapes and architecture that form the fabric of everyday life. Salvaged mirrors, windows, and glass are restored from forgotten fragments into autonomous sculptural pieces that, in their partial transparency, traverse the boundaries between drawing and architecture. By adding and removing elements behind her mirrored surfaces, Vernon insists that we navigate both shadows and reflections, creating an image that is seemingly never quite static. Pre-existing imperfections upon the glass, in calling our attention to the outermost and innermost surfaces of the pieces, only make this viewing process a more unique one.

‘It’s about finding something and making it more.’

Dr Melanie S J Francis