Name: Tapetum Lucidum
Brand: Emmanuelle Mason
SKU: AR-00103458
Price: 4485.00 USD
Availability: InStock
Rating: 4.89 (1011 reviews)

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Artwork details

Type: Limited Edition
Medium: Drawings > Pencil
Style: Surrealist
Subject: Animals
Year: 2025
Edition: of 1
Size: 50.0 x 120.0 x 3.0 cm
Ready to hang: Yes
Frame: No
Signed: Yes, on the back
Materials: fluorescent and pastel colored crayons on acrylic paint on wooden panel
Shipping: Ships from France

50.0 x 120.0 x 3.0 cm

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Tapetum Lucidum

|

By

Emmanuelle Mason

Edition of 150.0 x 120.0 cm?

Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Ships ready to hang?

Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$4,485.00

Don’t miss outOnly 1 left of this edition

Free & easy 14 days returns Learn More

Worldwide safe shipping Learn MoreShips from France by Thursday 29 May 2025

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Emmanuelle Mason

I mainly present my graphic work on Kazoart. Indeed, I never stop questioning the drawing, in a way where paper becomes a body, a territory, a "environment". Sometimes it is the paper itself that becomes drawing, while I cut it, burns it.

I present here different series:

The lace series (in progress)
The series of erotic drawings ("cut" and "burn") (in progress)
The series of disasters (Syria mainly)
The Dead Snetting Series
As well as some out -of -series works.

In these series, there is always an ambiguity, a look that is both fascinated and insurgent focused on a world that I struggle to bear. I point to, from the end of my pen, sometimes the unspeakable, sometimes the micro-drama, sometimes the disease or the romantic state. My subjects are not always easy, sometimes terrible, but always treated with delicacy, the virtuosity of the bill coming to "trap" the gaze that usually turns away. I try to replay this question of the sublime: which is beautiful and scary at the same time. Even when my work is tender, there is a cut, a burn, which tries to take care of the more ambiguous tone of the subject.

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