Original artwork:Only 1 available. Get it before it’s gone.

Holdfast

Paintings100.0cm x 70.0cm x 5.0cm?
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Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

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Artwork ready to hang

This artwork is sold ready to hang. For additional information please see the artwork detail information.

$ 2,490.00
100.0cm x 70.0cm x 5.0cm
  • Type | Original Art
  • Medium | Paintings > Oil
  • Style | Figurative
  • Subject | Portraits
  • Year | 2020
  • Size | 100.0cm x 70.0cm x 5.0cm
  • Ready to hang | Yes
  • Frame | No
  • Signed | Yes, On the back
  • Materials | Oil, soft pastel and charcoal on canvas
  • Shipping | ships from United Kingdom by Tuesday, 02 November 2021

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Henry Glover

British artist Henry Glover lives and works in London, where he primarily produces paintings and sculptures. This combination of mediums allows him to explore his practice in intriguing ways, focusing largely on human forms as well as scenes from nature. Henry enjoys working with wet media such as oils and clay as these are better suited to capturing human forms and the intimacy of touch. The embrace is one of the central themes within Henry’s art, which often depicts two figures locked in a hug or with clasped hands, and this allows him to explore the intimacy of physical relationships.

Henry Glover’s Career

Henry is a young artist who recently graduated from Wimbledon College of Art and Design, where he studied Fine Art, Painting. Throughout his studies and now in his career, he has been developing an expressionistic and figurative style that has earned him widespread recognition through exhibitions, interviews and awards.

Exhibitions and Awards

You’ll find Henry Glover’s expressionistic paintings in a number of group exhibitions across the UK, and he has also now had a solo exhibition at the Liliya Art Gallery in London. In 2020, he was selected as one of Saatchi’s rising stars, and he took part in the TFAC X ColArts Summer Residency in 2019.

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