In collaboration with Rise Art, Mayacama hosted the painter Ezra Johnson as an artist in residence.
From the sunlight breaking on the tops of hills and trees, viewed from his casita early in the morning, to mist settling over the putting greens at dusk, Johnson has applied his painterly language to many aspects of life at the club.
The resultant paintings – like much of Johnson’s past work – sit somewhere between fact and fiction. They analyse the landscape as an example of nature shaped by man, taking stock of both its untameable wildness and its regimented patterns. Beyond that, though, they depart from the reality of the artist’s surroundings, by turns simplifying and embellishing them. In doing so, they expose glimmers of his own emotional reaction to the landscape.
It is through this balance of perception and imagination that Johnson has rendered his unique vision of Mayacama, playing on the personal emotional resonances of the landscape and, where necessary, using his artistic licence to convey them to us.
Rise Art shines a light on today's most dynamic and culturally significant artists, collaborating directly with a curated roster of emerging, mid-career, and established creatives worldwide.
Mayacama is a private golf and residential community nestled in the hills of northern Sonoma County, California.
"The first thing I’m looking for in a scene that I’m going to paint is contrast, colour, composition, and light. Those are the key ingredients for painting."
– Ezra Johnson"Seeing Ezra at work at Mayacama was incredibly inspiring. Painting within this expansive landscape, he came into contact with many of the formal challenges that have troubled and animated the work of a gamut of landscape painters from Munch to Hockney. His own approach to the Sonoma landscape – a combination of realism and imagination – captures something essential of its essence." – Phin Jennings
Ezra Johnson is a painter based between Tampa, New York and London. Born in Wenatchee, Washington, he received his MFA from Hunter College in 2006 and has since exhibited at the Hammer Museum in Los Angeles, Site Santa Fe, and the ICA in Philadelphia.
Deeply reverential of historical painting traditions, subjects and techniques, his work approaches them with a contemporary lens. His past subjects have included still lifes in the tradition of Giorgio Morandi made up of trash, Impressionistic vases of flowers on cluttered tables, and shadowy cityscapes that capture the atmosphere of Tampa, which he describes as “tropical noir”.
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