Ozzy Gold No.1

Drawings69.0cm x 86.0cm x 3.0cm?
Artwork size

Artwork physical size measured as height by width by depth. Artwork purchased with a frame will usually be 5cm (2.5in) longer in each dimension.

Framed and ready to hang?
Artwork ships framed

This artwork is sold framed. For additional information on the frame please see the artwork detail information.

$ 2,685.00
69.0cm x 86.0cm x 3.0cm
  • Type | Original Art
  • Medium | Drawings > Ink
  • Style | Illustrative
  • Subject | Landscapes > Rural
  • Year | 2016
  • Size | 69.0cm x 86.0cm x 3.0cm
  • Ready to hang | Yes
  • Frame | Yes, Black wood frame with standard glass. Can discuss options for shipping
  • Signed | Yes, front
  • Materials | Ink and 24carat gold leaf on paper
  • Shipping | ships from France by Wednesday, 19 August 2020

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Returns Policy

It's Ok if you change your mind. All artwork ordered comes inclusive of our no-hassle 14 days free return policy, no questions asked (full artwork refund or exchange). Custom framed artwork is excluded due to the bespoke nature of the framing process. Please see more about our returns and cancellations policy here.

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We can arrange framing for you, that means your artwork will arrive ready to hang and can go straight on the wall.

We offer black, white or walnut coloured wood-grain finish as default frames. Please see examples in our FAQs. If you would like a bespoke frame, including, but not limited to, a tray frame and gilded frame, find out more here.


An installation service can be book upon request. After purchase, our customer service team will be in contact with you via email (usually the same day as purchase) and this service can be requested then.

Jon Voss

Jon Voss is a British born professional artist and architect, trained at the Bartlett in London. In 2004 Jon moved to Sydney Australia, where for the next 11 years he pursued his passion for art and design. Since 2014 he has been living in South France where he is creating new exciting works of sculpture, illustration and kinetic art.

Jon's art is a considered juxtaposition. It’s both a boyish fascination with our heavily industrialized world, and an unapologetic adoration for our natural
world. While these two loves typically live in constant conflict, within Jon’s art the barriers and lines between the two are blurred and distorted.

“A large part of what I do comes from a love of machines and all things mechanical, however the form is borrowed from the immensely complex and elegant lines of nature. It is this unlikely but intriguing symbiosis of these passions that drives what I do”