What happens when a graphic system originally designed to organise time becomes a mechanism for generating the experience of time? Inspired by French designer Jean-Pierre Vitrac's iconic perpetual wall calendar, this new moving-image artwork transforms its graphic structure into a chronographic animation that explores pattern and rhythm.
Leigh Bagley is a designer based in East Lothian whose practice spans limited edition prints, textiles and digital. Working with geometric abstraction and colour, he creates visually precise compositions that draw inspiration from 20th century modernist architecture and design, translating these bold influences across media, interiors and public art.
Co-commissioned by Aberdeen Performing Arts, Edinburgh Futures Institute and New Media Scotland’s Alt-w Fund with investment from the University of Edinburgh.