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Georges DUMAS


For the past ten years now, Georges Dumas has created "paintographs", a mixture of painting and photography. From photography, it retains the initial, essential, essential basis, of the work to come. He also keeps it, despite all the successive manipulations then carried out on the computer, the precision, the finesse and the plastic quality which distinguish it for sure from the nomician than hyperrealist painting. However, a paintography is not a photograph, it is a plastic construction that makes the look doubt, which raises the question of the nature of the image which is offered in the eyes of the spectators. What part of the work was captured by the objective, what part recreated by software work? Layers, layers, stacks: despite its extreme readability, a paintography is a complex construction, based on a succession of screens. The fabric or the skin never appears to be bare, they are always covered by a material that makes as much screen as it is body with them. This material is itself hidden by squares which seem to be detached from it or to widen in it; By evoking pixels at the base of any digital image, these squares recall that this material is a lure, that it is virtual ...

Selected Works

The Big Sleep

Photography - 25x25 cm

La Punition

Photography - 60x24 cm

Le Nouvel Adam

Photography - 127x102 cm

Fashion Queen

Paintings - 126x56 cm


Paintings - 34x44 cm

16 Octobre 1793

Paintings - 66x26 cm


Paintings - 106x106 cm


Paintings - 41x26 cm

Showing Scars

Paintings - 56x81 cm

Salomé 45 AD

Paintings - 85x69 cm

The Line

Paintings - 136x211 cm


Paintings - 51x36 cm

The Stool

Paintings - 81x56 cm

Dancing Queen

Paintings - 66x41 cm

Moriturus te salutat

Paintings - 81x136 cm

Without You I'm Nothing

Paintings - 66x41 cm

La Confusion des genres

Paintings - 61x86 cm

Cours de maintien

Paintings - 80x99 cm


Paintings - 84x84 cm

Fughe in prigione

Paintings - 136x81 cm

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