In ‘I am there, I am not there’, Ting-Ting Cheng photographed domestic places to trigger viewers’ curiosity toward the tenants’ personal life, while challenging the authenticity of photography in the half-staged scene.
Ting-Ting Cheng’s exquisite photographs explore the relationship between objects and people’s emotions towards them. Ting has developed a very particular style of still life that mixes a delicate treatment of the image with an absurdist vision of capitalism and the every day life. The resulting…
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Stephen Beddoe said:
"Ting Ting Cheng creates highly accomplished photographs that investigate and focus on the complexities and relationship of people and objects to their environment, whether domestic or public, often utilising recognisable 'still life' motifs from art history. The resultant images are sublime and highly engaging."